Monday, September 26, 2011

Craze yields to caution in tight-fisted era

BSkyB displayed its purchasing energy using its pricey purchase of privileges to 'Glee.'UKTV bought the privileges to NBCU drama 'Grimm.'Five years back, well-heeled U.K. webs regularly outbid each other to secure firstrun exclusive privileges towards the latest zeitgeist show in the U.S.It happened for "Buddies," "The Simpsons" and "Lost," to focus on several auctions by which prices shot with the ceiling to unparalleled levels.But as fears of the double-dip recession linger and broadcasters' budgets remain tight, a putting in a bid war has become the exception as opposed to the rule for British purchasers trying to strengthen their agendas.Prior to the recession, the galleries gained large benefits because the cost of premium shows jumped to $a million an hour or so and beyond.Our prime point was when Sky 1 bought ABC's 'Lost' from Funnel 4," recalls Theresa Smart, who runs her very own media working as a consultant within the U.K.Which was a never-to-be-repeated deal," she forecasts. "Across Europe -- and also the U.K. isn't any exception -- satellite and cable channels are purchasing increasingly more U.S. shows, while demand in the terrestrials has tended to flatten out."When "Glee" transformed hands in May, pay box BSkyB was reported to possess compensated 500,000 ($814,000) a chapter to secure the series from Funnel 4 niche web, E4.For that tv stations, anxious about ad revenues within an internet, the finish from the frenetic dealmaking seen prior to the recession is really a welcome trend. But because the "Glee" incident indicates, it's mistaken to claim that levels of competition are evaporating within the U.K. program purchases market. Or that the full-throttle putting in a bid war will not bust out soon between, say, BSkyB and Funnel 4, if the right show emerge -- regardless of the lowering probability of any "Lost"-style budget-breaking deals.By far the greatest spender within the U.K. purchases marketplace is BSkyB, whose revenues have defied the recession. After lately poaching "Mad Males" and "Nurse Jackie" in the BBC, plus "Glee" from E4, experts might conclude that BSkyB is near to monopolizing purchasing high-finish U.S. fare in Blighty.Permanently measure, the satcaster is the owner of the Cinemax catalog, with past, present and future U.K. privileges stitched up.Sky offers very deep pockets," states an adversary network professional. "If there's a show they would like to acquire, the odds are they will have it.InchGetting bought Virgin Media TV's funnel portfolio this past year, headed by Living TV, the paybox's requirement for a variety of acquired shows across genres is more than ever.You will find more channels that need shows, but we're still selective by what we buy," states BSkyB mind of purchases Sarah Wright. "We'll only buy when it's value.4 or 5 years back everyone was overpaying for shows. That is not happening now, but it's still a proper market."Captured, Funnel 4 came back towards the purchases market inside a large way -- not too it had ever withdrawn -- buying Warner Bros. comedy "2 Broke Women," the remake of "Charlie's Angels," political thriller "Homeland" and laffers "New Girl" and "Apartment 23."With "Your Government" no more area of the agendas and "Buddies" poached by Comedy Central, Funnel 4 required to fill lots of slots, especially on E4.UKTV, now co-possessed by Scripps, doesn't have Funnel 4's financial firepower, but it's proving itself to be a pressure to become believed with when it comes to purchasing high-profile U.S. shows. Last fall, it clicked up ABC crime saga "Body of Proof" and, urged through the skein's perf, lately bought NBCU drama "Grimm."'Grimm' is our greatest acquisition up to now," states Catherine Mackin, UKTV's chief buyer. "We are trading more in U.S. shows, but they need to be suitable for what's nowadays a ten-funnel portfolio.Things to know about the present crop of U.S. shows is the fact that I believe there's something for everybody. We're always searching for the great finds.InchAssociated LINKS: Mipcom drama purchasers choose carefully Contact the range newsroom at news@variety.com

Wednesday, September 21, 2011

Canal Plus Fined $41 Million, TPS Merger Halted

our editor recommends171 axed in Canal Plus-TPS mergerBritish film, TV landing on Canal Plus PARIS - France's antitrust watchdog the Autorite de la Concurrence withdrew its approval of pay TV giant Canal Plus' 2006 merger with then-rival group TPS on Wednesday and fined Canal Plus for not following through on its commitments. The regulator has forced Canal Plus to pay €30 million ($41.1 million) for not respecting what they deem "essential" conditions of the deal, but urged Canal Plus to file a new application in one month for re-approval. Canal Plus is accused of not following up on its promise to even out the pay TV playing field in the country by making TPS group's channels available to Internet service providers as part of their package and not providing TPS with recently acquired U.S. sports and movie rights. The merger was meant to bring Canal Plus and TPS together to offer a strong movie and sports package of channels, but the French Competition Authority claims Canal Plus failed to fulfill the 59 requirements the group was expected to execute by 2012. Canal Plus plans to appeal the decision that the group called "highly unusual and disproportionate given the alleged breaches identified" in a statement on Wednesday, adding: "It is naturally not conceivable to call into question amerger five years after it was completed." Canal Plus said it welcomes the opportunity to begin a new dialogue with the antitrust authorities and pointed out: "The conditions of competition prevailing in 2006 have completely changed and the Autorites de la Concurrence's decision fails to account for the disruption caused to the TV market by the arrival of global Internet companies and Tecom operators." Canal Plus Group is owned by media powerhouse Vivendi. Related Topics International Vivendi

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Tuesday, September 20, 2011

New on DVD & Blu-ray, Week of September 20: 'Bridesmaids,' 'Breakfast at Tiffany's' and 'Dumbo'

Thanks for visiting era hell: Really the only major theatrical film going to home pages now's 'Bridesmaids,' though that ensemble comedy about women acting badly has enough laughs to last seven days. Two Blu-ray debuts, however, will brighten your week: 'Breakfast at Tiffany's' and 'Dumbo.' 'Bridesmaids' How It's About: 'Saturday Evening Live' star Kristen Wiig plays thirtysomething Annie, the woman-next-door whose existence has devolved in to a total mess: Her bakery -- through which she sank her life's savings -- went under, she's your thankless job she's used sexually having a smarmy playboy (Jon Hamm in the scene-stealing performance), and she's talking about an apartment getting an unusual brother-sister duo came from here. When her lifetime nearest friend (Maya Rudolph) can get engaged and asks her being the maid-matron of honour, things really spiral out-of-control: Annie botches the wedding plans, alienates another bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Betty Kemper), in most cases wreaks harm to everyone -- and everything -- round her. It's Kinda Like: 'The Hangover' meets 'Steel Magnolias' That Which You Say: Billed since the female reaction to the Farrelly Brothers and sisters, Judd Apatow and Todd Phillips-directed male gross-out comedies, 'Bridesmaids' proves, permanently, that whenever women want to have a great time, look out. It's less that girls cannot be nasty, enjoy poop and vomit jokes, get drunk, swear and act crazy on the watch's screen -- it's that male company company directors, producers and authors generally don't give them an chance. That's changed now, clearly, due to Wiig (who co-written the film along with her friend and Groundlings alum Annie Mumolo), TV director Paul Feig as well as the aforementioned Apatow, who produced this laugh-laden marvel. Even though film virtually involves Wiig's tests and struggles, it's an ensemble comedy of girls acting badly. The figures are actually the, the emotions sincere, as well as the jokes disgusting and raunchy. &bull Accessories: Commentary by cast and crew, removed moments, together with a gag reel. The Blu-ray version adds behind-the-moments featurettes. Both DVD and Blu-ray come with an unrated version in the film. Rotten Tomato vegetables Reviews Buy DVD Save DVD for the Netflix queue Watch a distinctive clip within the DVD: 'Breakfast at Tiffany's' Blu-ray Why the release?: It's the 50th anniversary of 'Breakfast at Tiffany's', director Blake Edwards' adaptation of Truman Capote's novella of a small-town girl who moves to NY City and reinvents herself just like a worldy party girl. Though Hollywood watered lower a couple of from the story's characterizations and plot line, the film can be a classic romance -- a person finishes up falling for one another both with star Katherine Hepburn (in their most legendary role as Carol Golightly) as well as the city. It's sophisticated, heart-warming and sad at one time. Furthermore, it offers a workmanlike performance by George Peppard (as Holly's neighbor and love interest) and outstanding work by Patricia Neal. As well as there's 'Moon River.' Really the only sore place: Mickey Rooney's demeaning performance as Holly's Japanese neighbor. Special Features: Commentary by producer Richard Shepherd, featurettes on Hepburn, your building from the film, the music activity of Henry Mancini, and Tiffany's, and "Mr. Yunioshi: An Asian Perspective." Can It Be Worth Enhancing?: 'Breakfast at Tiffany's' remains restored and remastered with this particular Blu-ray edition, as well as the image and appear are first-rate, otherwise spectacular. The first mono soundtrack remains removed up, together with a 5.1 surround mix added, which highlights Mancini's score. You will discover no new special features here, though Vital has culled together various accessories within the a variety of models released within the last few years. 'Breakfast at Tiffany's' is really a consistent best-seller (it ranks 1,600 at Amazon . com . com) so it's likely that you've a duplicate if you undertake, there's no real need to upgrade. Without getting a replica, buy this version at this time around. Buy the Blu-ray 'Dumbo' 70th Anniversary Blu-ray Why the release?: Disney is progressively re-delivering its classic animated films on Blu-ray, now it's 'Dumbo's' turn. The Disney studio specialists not often hurry and spare no expense in repairing these valued treasures and, in line with the folks at Disney, this was especially arduous: The restoration team "switched for the U.S. Library of Congress, who keep original 70-year-old nitrate camera negative inside their film vaults, too for reference, to have an original 1941 'release' print, held with the Academy of motion Picture Arts and Sciences. Applying this rare nitrate 'dye-transfer' Technicolor print for color reference, they might restore 'Dumbo' for the color designs most likely approved by Wally Disney themselves, that is seen in their full splendor the first time in 70 years round the Blu-ray debut." Special Features: A lot of the accessories here are actually ported over from previous versions, and will include removed moments, a couple of "making-of" featurettes, commentary, games for your children, and 2 animated shorts, 'The Flying Mouse' and 'Elmer Elephant.' Can It Be Worth Enhancing?: Animated films look better on Blu-ray, and 'Dumbo' is not any exception. The shades are gorgeous, the images smooth and luscious. Disney has added a 7.1 surround soundtrack, nevertheless the original mono track suffices. Improving recommendation on that certain can be a given. Really the only gripe: There's no stand-alone Blu-ray version Disney allows you to definitely buy a Blu-ray/DVD combo pack to obtain the hi-def edition. Boo! Buy the Blu-ray Other New September 20 DVD Releases: 'Le love Serge': (1958) In the hallowed quantity of 'Cahiers du cinema' experts-switched-filmmakers who transform film history while using French New Wave, Claude Chabrol was the first to direct their very own feature. His stark and absorbing landmark debut, 'Le love Serge,' follows a effective yet sickly youthful guy (Jean-Claude Brialy) who returns where you can the small village where he was elevated. There, he finds themselves at odds along with his former close friend (Gerard Blain) -- ­now discontentedly married together with a wretched alcoholic -- ­and the provincial existence he signifies. Within The Being approved qualifying criterion Collection made available on Blu-ray. 'Les cousins': (1959) One picture of 'Le love Serge,' this Chabrol film recasts Jean-Claude Brialy and Gerard Blain in amazingly remedied roles. The film can be a sly moral fable of a provincial boy who involves accept his sophisticated bohemian cousin in Paris. With one of these seeming opposites, Chabrol conjures a piercing, darkly comic character study that questions notions of fine and evil, love and jealousy, and success in present day world. Within The Being approved qualifying criterion Collection made available on Blu-ray. 'Set Up': (Direct to DVD) An unadventurous heist film three pals who steal some diamonds, then turn on each other when one of these simple decides to simply accept goods and run. Stars Curtis Jackson, Bruce Willis (just like a mob boss that particular in the thieves turns to for revenge), Ryan Phillippe, Jena Dewan, Randy Couture and James Remar. Made available on Blu-ray. Have a look at more September 20 DVD releases at OnVideo.

Monday, September 19, 2011

Postman Pat Movie Planned

Rupert Grint's among the cast.... Given the endless stream of kiddie favourites (such as the bewilderingly successful Smurfs) making the leap from telly to movies, it was only a matter of time before more British names started getting caught up in the swirling cinematic vortex. But while we've always joked about the idea that the likes of Postman Pat could become a Hollywood blockbuster, he's actually going to get his close-up via a new 3D 'toon movie, with Rupert Grint, David Tennant, Stephen Mangan and Jim Broadbent among the voice talent. Pat, of course, is the reliable, stop-motion mail delivery type who brightens the spirits of the inhabitants of Greendale. Best known for his van and the ever-present black and white moggy Jess, Pat remained largely unchanged until his most recent series, which saw him take on a more high-tech role. The film version, timed to coincide with the character's 30th anniversary in 2013 and with Mangan taking over voice duties for the man himself, is subtitled You Know You're the One, and will add in an extra pop-cultural spin. Pat enters a national talent competition and is tempted by the lures of fame. Will he give in to ego and money and leave Greendale forever? And will Simon Cowell have a voice cameo?Pushing Pat on to the screen is somewhat understandable - he's an evergreen icon for the ankle-biter crowd, and he stirs fond memories in those who grew up watching his gentle adventures. Even Grint, who seems thrilled to be taking part: "Postman Pat is one of those British symbols, I suppose - you are totally familiar with him and his cat, Jess even if you have never watched the series. How exciting to be part of the Postman Pat heritage. "If they want to make it really topical, the sequel will see Pat facing possible unemployment as his local sorting office is shut down...

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Wednesday, September 14, 2011

Just How Can Sarah Michelle Gellar's 'Ringer' Ratings Rival 'Buffy the Vampire Slayer'?

Ringer launched to solid ratings Tuesday, but it'll be a continuing fight for Sarah Michelle Gellar whether or not this desires to match the performance of her WB/UPN series Buffy the Vampire Slayer.our editor recommends'Ringer' Co-Star Nestor Carbonell Discusses Parallels to 'Lost' and 'The Killing' (Video)'Ringer': Kristoffer Polaha Unveils Why His Character Needs To Be Sarah Michelle Gellar's 'No. 1 Lover' (Video)TV Ratings: Sarah Michelle Gellar's 'Ringer' Debuts to OK Ratings Following its 90120 lead-in, the rookie drama shipped 2.84 million total audiences for your CW together with single.2 rating inside the grownups 18-49 demographic (and broadening the network's demos). Even though it marked the network's best performance within the time-frame in three years, Gellar's Buffy effort -- a midseason entry altering Savannah on March 10, 1997 -- launched to 4.8 million total audiences together with a couple. inside the 18-49 demo through the 9-10 p.m. hour. Among grownups 18-34, Buffy, which went in a really different television landscape from 1997 to 2003, came single.9 rating. (It opened up getting a 2-hour telecast from 8-10 p.m.) PHOTOS: Fall's 12 Most Anticipated Shows "We appear such as the merchandise will there be. We just need people to look at it," Ringer executive producer and co-creator Eric Charmleo told The Hollywood Reporter while watching show's launch. "With Sarah Michelle attached, we'd be hard-pressed not to fill that mandate." To make certain, when Buffy opened up concerning the WB in 1997, viewing habits differed greatly, with less viewing options (original programming on cable) and items (Dvr, streaming). Still, throughout the initial season of Buffy, which broadcast on Mondays at 9 p.m., the supernatural drama averaged roughly 3.7 million per episode. Season 3 shown being the show's best season, calculating roughly 5.3 million each week. Through the final half from the second season, Buffy switched time slots to Tuesdays at 8 p.m., where it continued to be for your relaxation of the run. COMIC-Disadvantage: TV's 6 Most-Wanted Women Executive producer and co-creator Nicole Snyder told THR the difficulties to keep Ringer's complex premise aren't lost inside it. "We're constantly making certain the questions as well as the mysteries that individuals established inside the pilot are clarified throughout our first season," she mentioned. "We're very alert to reacting to questions, giving everyone else information but tease these with new information and branching the mystery. We wish people to help keep coming back for further.In . Particularly, Ringer first demonstrated to roughly the identical number inside the ad-coveted demo (1.2) since the canceled Hellcats did last September, though Hellcats -- devoted to many college cheerleaders -- was without the identical level of anticipation. Since the first newcomer series beginning this television season, the CW is supplying the Ringer pilot two more occasions (Friday at 8 p.m. and Monday at 9 p.m.) wishing more audiences will sample the show and return on its regular evening. Email: philiana.ng@thr.com Related Subjects TV Ratings Buffy the Vampire Slayer The CW Sarah Michelle Gellar

Thursday, September 8, 2011

Should There Be A U.S. Film Commission?

Veteran indie film executive andproducer Adam Leipzig is ramping up the blog Cultural Weekly examining the intersection of culture, creativity, money, and entertainment. Here, the question is raised whether America needs a national film commission. This has been edited down andreprinted with permission: With the Toronto Film Festival getting underway this week, its worth pointing out the crucial role that national film commissions like Canadas National Film Board and Telefilm Canada have played in the global film marketplace. These agencies of the Canadian government not only assist filmmakers in the production of their films, but also help global marketing, distribution and promotion of Canadian films in general. The result has been a boon for Canadian filmmakers and an important source of revenue for Canada. Like Canada, most nations recognize that films are a valuable export and that, in a competitive global marketplace, filmmakers need help in marketing and distributing films outside their own countries. In addition, with the growth of international co-productions, filmmakers need assistance from their national film commissions who are part of an international network to provide information to facilitate those partnerships. Since national film commissions are pretty inexpensive to operate and can reap huge economic benefits for a country, virtually every developed nation, and many in the developing world, operate these commissions. However, there is one nation the only one in the Western world that does not have a national film commission. Guess who? The United States. There are lots of reasons for this glaring omission, but lets start with the obvious one we have never needed a national film commission. Since Hollywood has always been (and continues to be) the dominant player in the international film market, it never needed any help. The Hollywood studios had their own international network, and didnt see any reason to for a national film commission. In fact, it was in their interest to discourage such an effort, since it might to undermine the clout of the studios… The best vehicle to address the challenges of the global market would be a national film commission a public/private organization that would include representatives of both the film industry and the federal government. While it would be politically difficult to establish a strictly governmental body, a compromise solution might be a private/public partnership that would enlist the power of the United States government in the global market without limiting the freedom of the film industry. The American film industry is one of our most important engines of economic growth and, during these tough economic times and in the face of a rapidly changing global marketplace, it does not make sense to rely on a small group of tradition-bound studios to lead the industry into the future. Only a private/public partnership that reflects a broader swath of the film community is capable of maintaining this critical source of jobs and revenue. Although the Hollywood studios, networks, unions and other organizations might resist the idea of a national film commission, it is arguably in their long-term interest to have a more representative organization in place. Perhaps most importantly, a national film commission could have a positive impact on the creative potential of the American film community by connecting it more directly to other national film commissions and thereby to the global marketplace. Now is the time for America to take this crucial step towards the future. – by Hoyt Hilsman, screenwriter andcritic

Tuesday, September 6, 2011

EXCLUSIVE 'Real Steel' Photo Discloses Shawn Levy's Robot Boxing Ring!

You have often seen movies about boxing. You have often seen movies about robots. But perhaps you have seen movies about boxing robots? If notand odds are good that you simply haven'tyou can fix that sorry mistake in October when "Real Steel" sucker punches its distance to theaters! Included in MTV News' Fall Movie Preview week, we have got a unique photo from "Real Steel" for the viewing pleasure today. I additionally had the opportunity to talk to director Shawn Levy concerning the project, which marks a dramatic departure for that filmmaker in additional ways than a single. "Comedy continues to be great in my experience, but it was a deliberate departure," he explained of his causes of shooting the robot boxing movie, which stars Hugh Jackman like a former fighter switched trainer inside a world where human boxers happen to be changed by cybernetic ones. "This is actually the type of movie that I have been waiting to complete,Inch he ongoing. "After I was editing 'Date Evening,' the phone call arrived from ['Real Steel' producers] Steven Spielberg and Stacey Snider, plus they stated, 'We've got this underdog sports movie with boxing robots.' Already if you have [individuals two] alternatively line, you are inclined to nudge towards 'yes.' But I have always loved sports movies, I have always loved that type of legendary underdog story which sports movies often service so well. It was a deliberate step as well as an exciting opportunity to stretch newer and more effective muscles." Browse the full interview for additional of Levy's ideas on making "Real Steel," such as the pretty awesome method in which he teamed having a boxing legend to create the robot fight moments look as authentic as you possibly can. Are you currently excited for "Real Steel"? Tell us within the comments section as well as on Twitter!